This patch riffs on some of my ZS-40 ideas: there is a drone synth made of three voices, with each voice being composed of two detuned sawtooth wave oscillators. The oscillators also sometimes move up or down an octave from one another. These are fed into a filter, which functions as a filter/VCA by dipping into sub-audio frequencies; it is modulated by an LFO. Also, the voices pan around the stereo field ever so slightly.
The other voice is a three-operator FM synth, with a modulated timbre.
The drone is in D minor; the FM synth is in G major.
Everything goes into a stereo ping-pong delay and then a plate reverb.
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