The Juno-106 is a single-DCO-per-voice polysynth — all its width and warmth came from its chorus circuit, not voice detuning. This preset captures that by setting OSC2 Shift to zero and letting the Chorus mod do the work. OSC1 runs a Saw; OSC2 runs a Square at −12 semitones as a sub-oscillator at 35% gain, adding the hollow woody low-end body the Juno is known for. OSC2 Width at 35% with a slow Triangle LFO applies pulse width modulation to the Square sub, recreating the movement that made the Juno sub feel alive rather than static. Chorus at 80% depth with 0.45 Hz rate sounds extreme but is accurate — the Juno chorus was famously deep, and without it the DCO is thin. A second slow LFO drifts the Chorus rate slightly for organic instability. State Variable filter, open and bright, with minimal envelope modulation. 80s pop, New Wave, house.