Instructional Preset. This preset demonstrates a simple tapped delay where a OSC1 pulse (quick downramp) is sent into a 3.2 second delay with the initial sound sent out SL/SR of OSC1 (so you hear the intial attack immediately) and then all four taps are outputs with adjustable tap percentages. You can adjust the Master Delay time which will output the taps to a percentage of the full 3.2 second delay (effectively speeding up or slowing down the tapped repetitions). Finally you can control feedback of the taps back into themselves.

Instructions:
Y will add an octave down after an initial shelf. This may not trigger as expected on Osmose as the initial pulse may be too quick for the Aftertouch Y.) value to be factored into the formula (N).

Play single notes to start to experiment with the tapped delay percentages as you will be able to hear the tapped pattern you set if you press a single note. Start pressing a lot of notes and it will become a jumble in terms of figuring out the delay. The four taps are initially set to 25%-50%-75%-100% so you will hear the initial output followed by four repetitions at equal spacing. Changing the tap percentages will change the pattern. It came become complex. Bring up the Feedback to create the delay loop. Note you can play polyphonically and note patters and they all will be fed into the delay.

Note: Programming EaganMatrix delay loops can quickly saturate if you use high feedback input values. This preset (formula H) should be set low enough so that it does not overload (if it does bring down the value in formula H).

Macro Controllers:
i = Delay (sets the master delay percentage). D column in the Delay. Set at max and the full 3.2 second delay will be used to compute the tapped output. Setting lower speeds things up using the same tapped delay percentages.

ii = Tap1% (Tap #1 percentage – what percentage of the total time things wait before the tapped output triggers). Note that if you set two tap percentages to the same value they will sound like they play at the same time which can be useful for creating 3 or two note patterns instead of the four note tapped output that defaults – following the base output tone).

iii = Tap2% (Tap #2 percentage)

iv = Tap3% (Tap #3 percentage)

v = Tap4% (Tap #4 percentage)

vi = Feedback (Amount of tapped feedback). Set to min and there will be no feedback. Feedback delay time will increase as you bring up this control. It should not overload. If it does bring down the value in formula H.

Surface:
X = Pitch
Y = Brings in an octave down after a bit of shelving on Continuum. On Osmose the sound trigger before the Aftertouch point is reached. Try pressing very fact to see if you get the octave down on Osmose.
X = Triggers note on light pressure.

Ped1: Sus
Ped2: Sos1