A variation of my earlier Syncro Rhythm Pattern_1.6.11.
Four chord tones feed into Syncro, where rotating accents create shifting resultant patterns.
This version starts with four resonator voices gliding together before drifting apart. The glissandi come from four parallel Ochd LFOs running at slightly different rates — nearly in sync at first, then slowly drifting out of phase. As the resonators separate, the rhythmic layer becomes more active and chaotic.
Two closely related chords alternate (one-note difference), and a slow bass motion subtly shifts the tonal center over time.
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