This PRESET was programmed with guitar into the front end of tube amp/s and that I would consider one of my ‘Bread and Butter’ patches. Nothing fancy programming wise or revelatory but a utility based Delay that I use quite a bit for performing in ensembles.

PROGRAM NOTES (if you want to copy/paste to the actual PROGRAM NOTES for reference):
Bouquet Delay -> a bit for Solos and HS1 & HS3 for bigger Solos, Swells and Ambient Cleans.

Programmed in Stereo.

Expression Control of Delay Mix. Latching Control for Pitch Jump Interval. Mom Control for Self Oscillation. Tap Tempo programmed.

Hotswiches Programmed: HS1 more effect with ^ Mix, Mod Depth, LFO Rate & Shape and Feedback ; HS3 more effect with increased Mix, Feedback and Delay to 500ms.

*** I am spreading the gospel of the H90 in the below section. Read at your own peril ***.

I like the physical layout and design of the H90 with its several footswitches that can be programmed for multiple uses. I find this very useful for performances where I can call up a PROGRAM or PRESET and engage the PERFORMACE Knob/Switch to have instant access to the Hot Switches for varying settings which can be similar to other devices where you call up a SCENE and within that call up various settings for different sections of a song (Verse, Chorus, Solo, Bridge, etc…) very easily and in real time. Couple the use of the Hot Switches with Latching/Momentary Control of Repeats/Oscillation/etc.. AND an Expression pedal and there is a lot of functionality at the users disposal. Expression control of Delay Mix is crucial for my performances depending on the space/room being played, song, density of band mix, etc…