Base Program
* Slow Gear ducker holds down the sudden rush of reversed / modulated reverb.
* Any delay buffer in the chain can be re-configured in several ways.

* Insert Mode Program. Program Mix 50%.
* Ducked Delay in Series with Reverse Reverb.
* Contrasting feel, using the optional Parallel routing.
* All controls programmed for an interactive approach.

HOTKNOBS
Program [P] HotKnob – default (50 / CC#16)
* Adjust all offset delay times together.
* Modifies compressor release time.

Preset [A] HotKnob – default (20 / EXP2)
* Adjust feedback levels for Ducked Delay.
* The set value is overridden & controlled by EXP2.

Preset [B] HotKnob – default (50 / CC#1)
* Adjust diffusion for the Reverse Reverb.
* The set value is overridden & controlled by EXP1.

PEDALS
* Two methods for blooming delays, targeting different points in the FX routing.

EXP1 (saved @ full Heel)
* Gradually adds in a forward reverb.
* Infinite & freeze / hold effects at extreme Toe.
* Folds in a dry tap after the reverb reversal.
* Increasing cycles around the reverb structures.

EXP2 (saved @ full Heel)
* Decreases threshold for compressor release.
* Adds MicroPitch modulation to the trailing reverbs.
* Increasing feedback levels, clamped down by compressor.

SWITCHES
* AUX 1,2,3 mapped to HS1, HS2, HS3 (momentary action)
* AUX 4,5,6 mapped to HS1, HS2, HS3 (latching action)

Program Alternates
0). Median blooms & delay times – few repeats – heavy compression.
1). Brighter, rapid delay trails – many repeats – medium compression.
2). Longest mixture of dry, delays, reverb, mod – average compression.
3). Short taps disappearing through HP filtering – light compression.

PERFORM
1). [P] Act/Byp
2). TAP – set Ducked Delay time individually.
3). TAP – set Reverse Reverb buffer length individually.
4). HS1 (L)
5). REPEAT (L) – Ducked Delay
6). HS3 (L)

See the Program Notes for the specifics on external control & MIDI mappings.