noise plays notes and a clock modulation…attenuated noise and sample hold make for noise to notes and subtle clock modulation, sines feedback and detune…very more so subtle modulation to supercell pitch and position for “tape mod and warble”
generative fun with two little scales I worked together
the lpgs for the sines are activated by the noisy clock triggering prime and fibonacci clock divisions (hence the prime fib)
prime fib divs also determine when the sample and hold is going to sample the noise to “find” the next note before being scaled with cv scaling (essentially a logic to determine the overall range for the duo phonic composition)