Harmonically, the entire piece is an arpeggiation of the 5-35 pitch class set. The polyphonic pad is a slow overlapping of tones in the set. The primary sequence sets the tempo. The other sequences are articulations of the set at random tempi and octave displacements. The capricious counterpoint of the sequences produces polyrhythms. The sequences and each voice of the pad are gated independently, at random.

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