Base Program
* Bi-directional patches of shifting pitches & delay clusters.
* Slightly detuned & cascaded, with blooming releases into open spaces.

* Insert Mode Program. Program Mix 45%. Adjust for prominence of effect.
* Cosmic Web into Ducked Delay. Optional Parallel routing defeats the purpose.
* All controls programmed for an interactive approach.

HOTKNOBS
Program [P] HotKnob – default (0 OR EXP1)
* Increases all feedback up to obnoxious levels, eventually decaying.
* Clamped before reaching micro-looping & self-oscillation levels.

Preset [A] HotKnob – default (50 OR EXP1)
* Adjust reverb level and decay time.

Preset [B] HotKnob – default (51 OR EXP1)
* Adjust compressor release.

PEDALS
EXP1 (saved @ full Heel)
* Detuning increase, from very subtle to moderate.
* Decreases trailing reverb level & decay time.
* Increases release time for the ducking compressor.
* Increases regeneration over the entire effect structure.
* Counterintuitively, can shorten the FX length, hitting the upper ceiling.
* Intermittent use injects cascading pitches into current delays.

EXP2 (saved @ full Toe)
* Alternate foot control for in & out fades over the effects processing.
* At full Heel, always ‘recording’ silently in the background.
* Continues effect trails & reverb decays at return to full Heel.

SWITCHES
* AUX 0 = default
* AUX 1,2,3 mapped to HS1, HS2, HS3 (momentary)
* AUX 4,5,6 mapped to HS1, HS2, HS3 (latching)

Program Alternates
0). Cascading 5ths & octaves – reverse-crystal-ping-pong – medium offset delays (reverb).
1). Rhythmic low octave / unison blends – forward direction – short delay bursts (reverb).
2). Triplet-based unisons & octave up – mixed ‘webbing’ – long delay array (reverb).
3). Upper 5ths & high octaves – reversed ‘webbing’ mix – longform delay patterns (reverb).

PERFORM
1). [P] Act/Byp
2). REPEAT A
3). HS3 [L]
4). TAP: 100 BPM
5). REPEAT B
6). REPEAT [L]

See the Program Notes for specifics on external control parameters & MIDI mappings.