15 delay lines, summed, fed back into themselves.

Warning – I’ve stuck a limiter on the delay output, but do be careful with your ears and gear. This wants to snowball.

Left foot switch kills the delay feedback loop (not the delay output)
Middle foot switch toggles a LFO modulating the delay lines

The time of any one delay is the initial delay time plus delay offset * scale * n. So the delay parameter sets the time until the first repeat and the offset sets the time between each subsequent repeat.

I was initially curious to see if I could stretch a note by using lots of staggered delay lines. To do that might necessitate far more delay lines than I have the inclination to include. The effects of using lots of delay lines, unsurprisingly in hindsight, tends towards a metallic sound.

What this patch does better is a stuttering multihead delay perpetually on the verge of self oscillation with a pattern of repeats that diffuses.