Asymmetrical Marble Hall

Insert Mode Program. Series Routing (default). There’s definitely something lost using the Parallel routing, but it’s an option. Program MIX 50% for demonstration purposes. Dial it back as needed. UltraTap into Ducked Delay, with stereo use in mind.

Base Program: Panning delays / multitap / modulated & diffused reverb hybrid, clamped down by input. Entering gradually around sustained notes with a blooming wash. Staccato notes scatter the individual delay taps across the soundstage. Compression is used as variable volume-shaping effect, for slow-to-fast attacks with abrupt gating.

* EXP1 controls UltraTap Manual Chop, the [B] HotKnob & Ducked Delay Release.
* EXP2 controls UltraTap Feedback, Slurm, Speed-Rise-Release & Width.
* Both expression pedals are saved at the full Heel position.

HotKnob mappings, for creating a wide range of alternative effects:

* [P] HotKnob (+/-) adjust UltraTap Length + Delay A & B in Ducked Delay [default = 40]
* [A] HotKnob (+/-) adjust UltraTap Spread & Taper [default = 75].
* [B] HotKnob (CW) increase Feedback A & B in Ducked Delay [default = 0 OR EXP1].

* MIDI CC# 1 UltraTap Chop (type)
* MIDI CC# 2 UltraTap Taps
* MIDI CC# 3 Ducked Delay Ratio
* MIDI CC# 4 UltraTap Pre Delay A & B
* MIDI CC# 8 UltraTap Mix
* MIDI CC#10 Ducked Delay / Delay Mix
* MIDI CC#11 Ducked Delay Threshold
* MIDI CC#40 Ducked Delay Mix
* MIDI CC#74 UltraTap Tone + Ducked Delay Filter

Other options:
* REPEAT Ducked Delay buffer.
* TAP: 100 BPM
* HS2 – momentary or latching panned clusters of fast stutter taps.
* HS3 – latching slow chopper & shape generator.

See the Program Notes for more information on the PERFORM switch mappings.

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  • Revision: rndT ->ddddDDD |
  • License: Artistic license 2.0
  • Modified: 2 weeks ago
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