Plug in your guitar and let Wyrd take over — I use it as the weird part of the patch, shaping the raw signal with its tone core, modulation, and feedback delay/filter network until it stops sounding like “just a guitar” and starts breathing on its own.
NAM Player sit underneath, shaping tone along the way.
Vestigia and Chrono live on a send/return channel, adding two very different flavors of memory: Vestigia is my favorite part, a stereo tape loop that keeps rewriting itself, holding onto fragments of what I just played and handing them back slightly changed. Chrono is a three-head tape delay — ride the head combinations and stereo spread live, letting the echoes swell up or clear out.