Sample rate the Nyquist ceiling at approximately 2.9 kHz — everything above folds back as aliasing. Bits at near-minimum adds maximum quantization distortion. Wavefold feeds a near-maximally rectified waveform into the crusher, producing extremely complex aliasing. Otto Tron Direction Down with high Sense gives dynamic filter control over the low-frequency mass. Lo-Fi pitch adds compound degradation. VHS Reverb produces a deeply pitched, aliased drone from whatever enters it. Freq Shift Both adds inharmonic beating on top of everything. S&H on Sample Rate creates rapid random aliasing bursts. Hold Modifier freezes the destruction.