Insert Mode Program. Adjust Program MIX [50%] for overall effect emphasis.
VocalShift into SpaceTime, stereo use. Parallel re-routing is another useful option.
* For simple input of single note lines, octaves, rarely 5ths. And guitars.
* Use clean execution within the selected Root & Scale (E Minor default).
* Very responsive to instruments’ pickup switches, volume & tone controls.
Base Program: Dry monophonic input, trailed by panning, pitch-shifted delays. A hybrid picking generator, with glimpses of clavinet, harpsichord, bowed strings, sitar & Minimoog. Downstream, enhanced by chorusing, longer vintage echoes & plate reverb. Several compound approaches for modifying & expanding the ‘picked’ patterns, using pedals, switches & performance parameters.
External control options:
* MIDI CC
* EXP1 + EXP2
* EXP1 + AUX 4-5-6
* AUX 1-2-3 + EXP2
* AUX 1-2-3 + AUX 4-5-6
* Re-calibrate for changes in TRS external devices [System – I/O – Exp/Ctl].
* Combine Performance + AUX / HotSwitches with pedals, for more effect variations.
* EXP1 & EXP2 offer vastly different FX processing. Try out each EXP input.
* EXP1 controls the [P] & [B] HotKnobs + S/T Mod Rate.
* Extend pattern lengths in both FX, up to just shy of oscillation.
* Increases mod speed while decreasing reverb level.
* EXP2 controls the [A] HotKnob + S/T Decay.
* Stretch & compress formants & increase reverb decay time.
* Any fast / slow treadle work accentuates the deep filter / formant sweeps.
* Slight pumping @ extreme Toe crossfades long reverb decays, Infinite & Freeze.
* AUX 1,2,3 engage HS1, HS2, HS3 (all momentary action)
* AUX 4,5,6 engage HS1, HS2, HS3 (all latching action)
* HS0 (default state) – A-B-C harmonies at 3X delay times – medium venue – Glide 1
* HS1 [AUX 1, 4] – A & B harmonies solo – small closet – Glide 2
* HS2 [AUX 2, 5] – B & C harmonies solo – unison echoes – larger cavern – Glide 3
* HS3 [AUX 3, 6] – A & C harmonies solo – empty hanger – Glide 4
HotKnob mappings:
* [P] HotKnob (+/-) adjust V/S Feedback A-B-C + S/T (FB2) Feedback [10 OR EXP1]
* [A] HotKnob (CW) adjust V/S Formant Link [0 OR EXP2]
* [B] HotKnob (CW) adjust S/T (parallel) Verb Lvl [0 OR EXP1]
PERFORMANCE options:
* Program Active/Bypass
* HOLD (L)
* TAP S/T
* HS1 (L)
* GLIDE (L)
* HS3 (L)
See the Program Notes for more information on controller & MIDI mappings.
Program [P] MIDI:
* CC# 1 Tuning Speed [0 / 0]
* CC# 2 Quant Error [25 / 10c]
* CC# 3 Latency Mode [127 / High]
* CC# 4 Quant On/Off [127 / ON]
* CC# 7 [P] Out Gain [105 /-0.5 dB]
* CC# 8 V/S Mix [127 / 100]
* CC# 9 [P] In Gain [105 /-0.5 dB]
* CC# 10 Pan A [64 / 0]
* CC# 11 [P] Mix [64 / 50%]
* CC# 12 Root [48 / E]
* CC# 13 Scale [10 / Minor]
* CC# 14 Shift A [0 /-1oct]
* CC# 15 Shift B [36 /-4th]
* CC# 16 Shift C [100 /+5th]
* CC# 17 Glide A [127 /+2oct]
* CC# 18 Glide B [64 / Unison]
* CC# 19 Glide C [114 /+1oct]
* CC# 40 S/T Mix [52 / 25]
* CC# 42 Pan B & C (tilt) [95 /+(25)-]
* CC# 64 Hold (L) [0 / OFF]
* CC# 65 Glide (L) [0 / OFF]
* CC# 66 Hold (M) [0 / OFF]
* CC# 67 Solo A [0 / OFF]
* CC# 68 Glide (M) [0 / OFF]
* CC# 69 Solo B [0 / OFF]
* CC# 70 Solo C [0 / OFF]
* CC# 71 Hold (voice mix) [127 / A+B+C]
* CC# 72 Fall [11 / 260 mS]
* CC# 73 Rise [21 / 496 mS]
* CC# 75 V/S Delay A [63 / 246 mS]
* CC# 76 V/S Delay B [90 / 502 mS]
* CC# 77 V/S Delay C [110 / 750 mS]
* CC# 78 S/T Delay A [119 / 1994 mS]
* CC# 79 S/T Delay B [127 / 2500 mS]
* CC# 80 [P] TAP [64-127]
* CC# 81 [P] Kill Dry [0 / OFF]
* CC# 82 [P] Tails [127 / ON]
* CC# 83 Root Learn [64-127]
* CC# 85 [P] Act/Byp [127 / ON]
* CC# 86 [A] Act/Byp [127 / ON]
* CC# 87 [B] Act/Byp [127 / ON]
* CC# 88 Gain A [116 /0.3 dB]
* CC# 89 Gain B [116 /0.3 dB]
* CC# 90 Gain C [116 /0.3 dB]
* CC# 91 Delay Lvl [127 / 100]
* CC# 93 Mod Amount [32 / 25]
* CC# 94 Detune (B & C) [65 / 1c]
* CC# 95 Color [95 / 75]
Preset [A] MIDI:
* CC#102 [A] In Gain [105 / – 0.5 dB]
* CC#103 [A] Out Gain [105 / – 0.5 dB]
* CC#104 [A] Bypass [0 / OFF]
* CC#105 [A] Tails [127 / ON]
* CC#106 [A] Tempo Mode [0 / OFF]
* CC#107 [A] Kill Dry [0 / Global]
* CC#108 [A] TAP [64-127]
Preset [B] MIDI:
* CC#109 [B] In Gain [105 / – 0.5 dB]
* CC#110 [B] Out Gain [105 / – 0.5 dB]
* CC#111 [B] Bypass [0 / OFF]
* CC#112 [B] Tails [127 / ON]
* CC#113 [B] Tempo Mode [0 / OFF]
* CC#114 [B] Kill Dry [0 / Global]
* CC#115 [B] TAP [64-127]
Additional V/S MIDI:
* CC#116 Formant A [0 /-600 c]
* CC#117 Formant B [11 /-496 c]
* CC#118 Formant C [116 / 496 c]
Not worthy of being a second entry. The same Program with a shorter delay spread, for rapid arpeggios. Reverb & Feedback routings changed for alternate textures.
https://www.dropbox.com/scl/fi/fi68zyugvt299gzaf4e9k/Guitar-Peggios-Delay-Mod.pgm90?rlkey=pyu5f48636nhyoic0lrkt252a&raw=1
Brock this little patch took me to a beautiful and unexpected place. I got completely absorbed in this one and lost all sense of time. I love it when that happens. Thank you for all of your incredible contributions.
Thank you for the bonus patch on drop box. Hot Switch #2 on both programs is so much fun.
Appreciated, Brent. I’ve been getting lost myself in the programming processes (so much in there to exploit). Props to ET for the depths they’ve exposed in these new Harmonizer+ algorithms.
Yes, ‘intended’ for vocal input, but far from limited to that alone. There’s something very ethereal & satisfying about manipulating those cascading harmonies in real-time.