Insert Mode Program. Configured for Series Routing (default) or optional Parallel Routing. Program MIX 40%. QuadraVox into Polyphony. Programmed for stereo use.
All octaves; all the time. This can ‘feel’ arpeggiated or fingerpicked. I’ve noticed that this algo combo has a tendency to drift out of sync (for some reason). A result of “f*cking with the fabric of Time”, no doubt. So I included a TAP 100 BPM to bring it back into line.
Four up/down octaves panned into two additional octaves. Adjustable to any intervallic combination. Still the best results from single note lines, dyads & perfect intervals.
Bonus points for confining your input to in-key [LEARN] and Scale [CC#2]. Default = Em.
EXP1 –
* HEEL – (spread delay octaves) – TOE (grouped octave delays)
* HEEL – (shallow detuning) – TOE (deeper detuning)
EXP2 –
* [A] HotKnob + [B] HotKnob + Polyphony Feedback A & B.
* (saved at HEEL / CCW).
All three HotKnobs are pre-programmed for making fine adjustments to several of the effects. Customize the sound, using these variations:
* [P] HotKnob (+/-) – adjust Mix in both QuadraVox & Polyphony [default = 70]
* [A] HotKnob (CW) – decrease QuadraVox Delay D [default = 0].
* [B] HotKnob (CW) – decrease Polyphony Delay A & B + Fdbk Sw [default = 0].
* MIDI CC#2 QuadraVox Scale
* MIDI CC#7 Polyphony Level A & B
* MIDI CC#8 QuadraVox Pitch Mix
* MIDI CC#16 QuadraVox Pitch A + Polyphony Shift A
* MIDI CC#17 QuadraVox Pitch B + Polyphony Shift B
* MIDI CC#18 QuadraVox Pitch C
* MIDI CC#19 QuadraVox Pitch D
* MIDI CC#40 Diatonic Mix
* MIDI CC#80 QuadraVox Quantize
* MIDI CC#81 Polyphony Inst Type
Other options include Program-wide TAP [100 BPM], momentary or latching FREEZE, and key LEARN for QuadraVox. HS2 for micro-looping, with / without the adjacent FREEZE.
See the Program Notes for more information on the PERFORM switch mappings.
