Through the music of Helene Vogelsinger I have slightly changed my interest in arpegios. A simple, repetitive sequence, but with a little movement you can’t get it out of your head sometimes. Well, in this patch I start with a simple sequence and decorate it with other little sounds. Let’s see what comes out. For the background noises I try something with swing, for example a galloping horse. When you hear the keyword horse, you might also think of the term horsepower. Power can certainly be simulated well with bass sounds. For this patch I also reused the recording of my voice from the patch “The mechanic air”. The lyrics are not really important, you can only understand fragments that are incoherent because of the effects anyway. I was more interested in the effect of the voice when it is played slower and starts to sound bassy. :)

This time I used the module CV-Map (Stoermelder) to encapsulate in one place some modules that are responsible for movements in the sound. This way I wanted to get more familiar with the Stoermelder modules and see if I could make less cable mess. Another advantage of CV-Map is that you can see which knob is moving on a module while modulating.

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# Used Modules

# Mixing
+ EqMaster (MindMeld)
+ MixMaster (MindMeld)
+ AuxSpander (MindMeld)
+ Plateau (Valley)

# Module & Mixer Movements
I’m using LFOs for simple movements. The LFOs are getting reseted randomly by the sequential switch and bernoulli gate and with the slew module the LFO slides to its origin position without making a jump.
+ LLFO (Bogaudio)
+ Sequential Switch 1-8 (ML Modules)
+ Bernoulli Gate (Count Modula)
+ Meld (Mind Meld)
+ Slew (Bogaudio)
+ CV-Map Stoermelder

# Arpegio (0:00)
I’m using an VCO to modulate the morph-knob, so there is resulting a WoA, WoA, WoA effect in the sound. The effect is fading in and out while modulating the cv-knob by a LFO in cv-map.
+ Clocked (Impromptu Modular)
+ Bernoulli Gate (Audible Instruments)
+ Bias Semitone (Little Utils)
+ Sequential Switch (VCV)
+ Sequential Switch (VCV)
+ Quantovnik (Koralfx-Modules)
+ Macro Oscillator 2 (Audible Instruments)
– Timbre: CV1
– Morph CV: CV2
+ LLFO (Bogaudio)

# Epic Brass – Long (18:00)
+ Palette (Atelier)
+ ADSR (Bogaudio)
+ VCA (VCV)

# Epic Brass – Short (28:20)
+ Palette (Atelier)
– Mix Out: CV3
+ Bernoulli Gate (Count Modula)

# Melody (35:00)
+ Bias Semitone (Little Utils)
+ Sequential Switch 8-1 (ML Modules)
+ Quantovnik (Koralfx-Modules)
+ Slew (Bogaudio)
+ Macro Oscillator 2 (Audible Instruments)
– Harmonics: CV4
– Morph: CV5
+ Sequential Switch (VCV)
– Morph: CV6
+ Simple Slider (MSM)
+ LLFO (Bogaudio)
+ Simple Slider (MSM)

# Pad (47:50)
+ Wave (Blamesoft)
– Position: CV7

# Fast Drum (54:35)
+ Palette (Atelier)

# Clap Noises (58:20)
+ Clocked (Impromptu Modular)
+ Palette (Atelier)

# Hoof Noises (1:03:50)
+ Texture Synthesizer (Audible Instruments)
– Pitch: CV8
+ LLFO (Bogaudio)

# Creepy Effect (1:17:15)
+ LLFO (Bogaudio)
+ Palette (Atelier)
+ Plateau (Valley)

# Slow Drum (1:23:25)
+ Trummor 2 Left (Vult)

# Field Cricket – Hi Hat (1:27:10)
+ Beatovnik (Koralfx-Modules)
+ Sequential Switch (VCV)
+ ADSR (Bogaudio)
+ ADSR (Bogaudio)
– Release: CV9
+ VCA (VCV)
+ Palette (Atelier)
+ LLFO (Bogaudio)
+ LLFO (Bogaudio)

# Bass (1:42:10)
+ ADSR (Bogaudio)
+ Macro Oscillator 2 (Audible Instruments)
– Harmonics: CV10
+ Quantovnik (Koralfx-Modules)
+ 8Face (Stoermelder)
+ Macro Oscillator 2 (Audible Instruments)
+ Simple Slider (MSM)
+ LLFO (Bogaudio)
+ Simple Slider (MSM)

# Voice (1:54:05)
+ QuadSimpler (NYSTHI)
+ Texture Synthesizer (Audible Instruments)
+ LLFO (Bogaudio)

# Single Note (2:03:20)
+ Trummor 2 Right (Vult)