63-count Program List (Insert Mode)
Every Phaser Type, paired up with every Flanger Type
* [S-Sync] 21 Programs in Series Routing
* [P-Sync] 21 Programs in Parallel Routing
* [F-Sync] 21 Programs flipped in Series (Flanger -> Phaser)
General Notes – all Programs
* Reduce overall Program MIX [100%] for less effect / more dry emphasis.
* Use the [P] HotKnob to mix phase-to-flange proportions.
* Stereo use highlights the L-C-R motions caused by intersecting effects.
Phaser Types & Acronyms Used
* [Positive, Negative, Feedback, BiPhase, Phase XO]
* (POS, Po) (NEG, NG) (Fd) (Bi) (XO)
Flanger Types & Acronyms Used
* [Positive, Negative, Jet, Thru0]
* (POS, Po) (NEG, NG) (JT) (T0)
Three Instant Phaser/Instant Flanger variations round out Bank Mode to [3 x 21]. Compiled with Bank navigation in mind, as a quick method to audition the various phaser / flanger configurations. Copy-paste, remix, adjust, option-switch, rename, re-Save any Program in one of the open Favorites bank slots, for re-organization & setlist transfers.
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EXP pedals increase offset mod rates – or change modulation sources – in sync.
[Phaser/Flanger]
* EXP1 – Phaser/Flanger Speeds / Sensitivity & Manual Mod
* EXP2 – [A] + [B] HotKnobs (matched Shapes)
EXP2 @ Toe converts EXP1 to Manual modulations.
[Instant Phaser / Instant Flanger only]
* EXP1 – I-Phaser/I-Flanger Rates & Manual
* EXP2 – [A] + [B] HotKnobs (mismatched Sources)
HS3 converts EXP1 to Manual modulations.
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Auxiliary / Hotswitches increase overall effect magnitudes, incrementally.
* Aux 1,2,3 = momentary HS1, HS2, HS3
* Aux 4,5,6 = latching HS1, HS2, HS3
[Phaser/Flanger]
* HS0 (default) – 2 Stage + Dly Offset minimum
* HS1 – 4 Stage + Dly Offset low mid
* HS2 – 6 Stage + Dly Offset high mid
* HS3 – 8 Stage + Dly Offset maximum
[Instant Phaser / Instant Flanger only]
* HS0 (default) – dual Shallow Mode + dual minimum Feedback
* HS1 – dual Deep Mode + dual low-medium Feedback
* HS2 – dual Wide Mode + dual high-medium Feedback
* HS3 (EXP1 Manual Mode) – dual Wide Mode + dual maximum Feedback
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HotKnobs shift the focus toward either effect, or change each modulation source.
[Phaser/Flanger]
* [P] HotKnob (+/-) Phaser/Flanger Intensity & Depth [51]
* [A] HotKnob (CW) Effect Shape [0]
* [B] HotKnob (CW) Effect Shape [0]
[Instant Phaser / Instant Flanger only]
* [P] HotKnob = I-Phaser/I-Flanger Depths & LFO Widths [50]
* [A] HotKnob (CW) Effect Source [0]
* [B] HotKnob (CW) Effect Source [0]
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PERFORM Switches for LFO offsets / re-syncing, speed ramping & FX variations.
[Phaser/Flanger]
1). [P] Act/Byp
2). RETRIGGER – Effect [A or B] LFO
3). RETRIGGER – Effect [B or A] LFO
*** CC#83 Synchro-Sync both LFOs ***
4). HS1 – 4 Stage + Dly Offset low mid
5). BRAKE / SPEED (FAST/SLOW) – Effect [A or B]
6). BRAKE / SPEED (FAST/SLOW) – Effect [B or A]
[Instant Phaser / Instant Flanger only]
1). [P] Act/Byp
2). RETRIGGER – Effect [A or B] LFO
3). RETRIGGER – Effect [B or A] LFO
*** CC#83 Synchro-Sync both LFOs ***
4). HS1 – dual Deep Mode + dual low-medium Feedback
5). HS2 – dual Wide Mode + dual high-medium Feedback
6). HS3 (EXP1 Manual Mode) – dual Wide Mode + maximum out-of-phase Feedback
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See the Program Notes for more information on controller & extensive MIDI mappings.
Quick follow-up note:
The Act / Byp volume drop in the Phaser/Flanger Programs was intentional, [P] Out Gain(s) set to -3.3 dB guard against runaway regeneration. Contrast that against the Instant modulations in Programs 21, 42, 63 @ 0.0 dB [P] Out Gain.
It’s a compromise between unity gain, audible LFO sweeps, and sudden blasts of crossing resonances. First adjust [P] Out Gain to your preferences & system setup for the best results.